Beauville Antiques - Gaudy Willow

Beauville Antiques

Gaudy Willow

This term is often used to describe coloured versions of the traditional Blue and White WILLOW pattern, for which hand-painted enamels are applied over the transfer pattern before firing.

GAUDY WILLOW items are popular with collectors in the USA, where the term is widely encountered. In Britain this type of pattern is usually called COLOURED WILLOW.

Click on the PATTERN names below for more details

	Arthur J Wilkinson Ltd Royal Staffordshire Pottery WILLOW (coloured) c. 1911 Brown transfer
	Ridgways Ltd WILLOW (coloured) c. 1929 Brown transfer
	Booths Ltd WILLOW (coloured) c. 1923 Black transfer A rarely seen variant on Booths Real Old Willow design.
	Wood & Sons HANKOW c. 1927 This pattern is unusual in that it has two separate transfers of different colours: Brown transfer (centre), Green transfer (border)
	Wood & Sons PEKIN c. 1931 Brown transfer Also found with a red or blue transfer - the jug shown right has both!

Many C19th and early C20th firms also produced their own colourful variations on the WILLOW pattern, often inspired by other similar Chinese designs. The patterns shown below all feature the two LOVEBIRDS that are such an important part of the WILLOW pattern story, symbolising the souls of the two lovers re-united after death.

	Wedgwood & Co CHUSAN c. 1860-1900 Black transfer	This design seems to have been very popular in the C19th, and different versions can be found by several manufacturers, some of which are shown below...
	J & R Godwin COLOURED WILLOW c. 1834-66 Black transfer This version has only one bird!	Older items in this design are often unmarked, making their exact age hard to determine. Differences in the design, border and colours can often be used to compare them with items with a known provenance.
	Masons/Ashworth COLOURED WILLOW c. 1891+ Black transfer
	Crown Staffs CHINESE WILLOW c. 1930-50 Blue transfer Several versions exist, including one without a border (see right).
	Keeling & Co (Losol) WILLOW c. 1933 Green transfer Also produced in other colours, including plain Blue & White.
	Wood & Sons WESTOVER c. 1926-33 Blue transfer	Designed by Frederick Rhead, this charming pattern is loosely connected to the WILLOW design by the inclusion of the two birds.

The patterns below are inspired by Chinese CANTON porcelain, and although similar to the WILLOW pattern, do not contain the lovebirds found in the above designs.

	Copeland Spode LANDSCAPE c. 1820-1924 Blue transfer (left - 1820) Brown transfer (right - 1902) Also found in other colours, and as a plain Blue & White pattern.
	Wood & Sons CANTON (coloured) c. 1921-23 Blue transfer More commonly found as a plain Blue & White pattern	Another Frederick Rhead design, this adheres quite closely to the traditional CANTON pattern, found on Chinese export porcelain.
	Ashworth REAL OLD CANTON (coloured) c. 1911-20 Brown transfer More commonly found as a plain Blue & White pattern	The Ashworth CANTON design is treated in a more stylised way, giving this pattern a very modern look. Some Woods CANTON items also feature a similar stylised version of the pattern.
	Wood & Sons KANG-HI (coloured) c. 1920 Blue transfer More commonly found as a plain Blue & White pattern	Frederick Rhead seems to have let his imagination take control here in a pattern that extends the elements of the CANTON design, featuring more bridges, ships, temples and small groups of figures than any other pattern we know. Larger items contain even more elements than the jug shown opposite.
	Masons/Ashworth PEKING JAPAN c. 1862-90 Purple transfer This pattern was repeated over a long period, with many colour variations	A similar, if more controlled, approach from Masons with very fine detailing in the boats and figures.
	Booths Ltd MING (coloured) c. 1917-26 Blue transfer	Booths MING pattern covers a wide range of designs. The "Landscape" version found on plates is the closest to the WILLOW pattern.
	T G Green & Co Ltd MING (coloured) c. 1930 Black transfer Also found as a plain Blue & White pattern.	The design of this pattern is very similar to Booths MING pattern shown above, with different colouring.

To view other items click on the PATTERN names

To the purist many of the above patterns should not be called WILLOW patterns. The term GAUDY WILLOW, however, seems to embrace a wider variety of designs. To qualify, we suggest that a significant number of the following features should be present:

-Temple or group of buildings on an island at the right of the design
-Bridge over water in centre of pattern
-Boat(s) with sail
-Trees, often weeping willow or similar
-Small figure(s )on bridge, in temple, or on boat(s)
-Island top left, sometimes with a pagoda
-Bird(s) in sky

If you know of any GAUDY WILLOW patterns not listed above, please send details. Comments also welcome!

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